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决胜荒野1

4.0|02月08日|已完结
简介:

  《单挑求生高手》是个跳脱以往生存游戏形态的新节目,广邀世界上最顶尖的冒险家、生存好手及野外求生专家,对决以身为第一个步行亚马逊河全长而声名大噪的探险家艾德史塔福特。每集节目中,艾德将和各路生存好手在全亚洲最美丽却艰困的自然环境中一较高下,争夺「最快完赛」的头衔。过去,艾德已经领衔一系列类似且大受欢迎的探索频道节目,像是单独受困在荒岛上生活60天的《单挑荒野》,或是被丢到地球上各种险恶地点自生自灭的《单挑荒野绝境》。这次,他不但要生存,还要冒着死伤的危险并赌上他的名声,证明他是全世界最强的生存专家。

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巴萨之梦高清在线观看 - 流云视界_轻科幻影视流云轻看免费看,轻科幻轻奇幻片 + 韩剧番剧,美剧大片,动漫科幻,4K 蓝光轻科幻解析
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巴萨之梦

评分:4.0

更新时间:02月12日

主演:里奥内尔·梅西,哈维 · 埃尔南德斯,安德列斯·伊涅斯塔·卢扬,热拉尔·皮克,何塞普·瓜迪奥拉

简介:

BARÇA DREAMS is the most complete documentary ever to be made about the story of FC Barcelona, one of the top soccer clubs in the world, highly praised for its legendary figures like Leo Messi, the best footballer of all time, the prestigious coach Pep Guardiola, or the man who revolutionized this sport (soccer and football are used interchangeably throughout the entire text) with his innovative vision Johan Cruyff. The film narrates the soccer club's long road to fame and acknowledgement, culminating in the generation of players of the stature of Leo Messi, Xavi Hernández and Andrés Iniesta, all of them trained in the famous school of La Masía. It also reveals the secrets of a powerful soccer club that causes admiration worldwide and is closely linked to the Catalan identity, making the motto Barça more than a club a reality. It is a genuine emotional voyage to the heart and soul of the club which Joan Gamper, an undisputable sportsman, founded over a hundred years ago. It rekindles the dreams and ambitions of a long list of footballers who sought glory in one of the most admired soccer clubs in recent times.

阅读量:260

年份:2015

巴萨之梦

主演:里奥内尔·梅西,哈维 · 埃尔南德斯,安德列斯·伊涅斯塔·卢扬,热拉尔·皮克,何塞普·瓜迪奥拉

情感的力量高清在线观看 - 流云视界_轻科幻影视流云轻看免费看,轻科幻轻奇幻片 + 韩剧番剧,美剧大片,动漫科幻,4K 蓝光轻科幻解析
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

决胜荒野1

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